WE DO LARGE-SCALE, SCARY-AMBITIOUS, HOW-IN-THE-F*CK DID THEY DO THAT PROJECTS.
WE LOVE THE SPECTACLE OF FILMMAKING AND BELIEVE IN PUTTING THE REAL STUFF ON-SCREEN.
We want to capture it in-camera, not only because it’s a great story over beers, but the experience on set matters and we believe the audience can feel it on-screen. We’ve put a Bolt X in the middle of a busy SoHo street while wrangling heavy New Yorker foot traffic and doing multi-pass match cuts because a real location, real experience, and real content on-screen brings a creative energy that simply made our story better.
WE STAY UP LATE TO GET IT DONE RIGHT.
that's a lot of snow.
We’ve shot 9 exteriors in 3 days during a Nor’easter with 3 feet of snow removal at all of our locations because we knew a practical approach would resonate better with our audience. We’ve even spent an evening queuing Special Forces v-22 Osprey Pilots with our whole crew on the flightline because it was cool.
Is it a logistical nightmare? Yes. Is it cool as sh*t? Yes. Will we stay up late to figure it out? Yes.
That’s
